Vinyl: $31.98 Buy
Released in 1965 My Generation was the debut album by The Who. The album peaked at #5 in the UK & launched the band into worldwide acclaim. Containing “My Generation”, “The Kids are Alright” & “The Ox” mastered by long time Who engineer Jon Astley from the original tapes. Packaged in original sleeve with obi & certificate of authenticity, this black vinyl version is engineered by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut.
A Quick One was released in 1966, containing experimental music Suite (a nod to Rock Operas that were to follow). The album contains “Boris the Spider”, “Don’t Look Away” & has been mastered by long time Who engineer Jon Astley from the original tapes. Packaged in original sleeve with obi & certificate of authenticity, this black vinyl version is engineered by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut.
Genesis of Genius: The Contemporary Albums combines legendary Jazz saxophonist Ornette Coleman's albums for Lester Koenig's Contemporary Records. This deluxe box set features Coleman's first albums as a bandleader, Something Else!!! and Tomorrow is the Question!. Both albums were originally recorded by legendary engineer Roy DuNann & have been newly mastered by Bernie Grundman. Includes 32-page booklet with photos & extensive new liner notes by GRAMMYr Award-winning music historian Ashley Kahn.
"On Silver color vinyl. Toro y Moi’s seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound—encompassing the shaggy psychedelic rock of the 1960s and ‘70s, and the airy sounds of 1990s mod-post-rock—taking listeners on an auditory expedition, as if they’re riding in the back of Bear’s Filipino jeepney that adorns the album’s cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do.
Mahal is the latest in an accomplished career for Bear, who’s undoubtedly one of the decade’s most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there’s little in Bear’s catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date.
The second the album begins we’re immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of Mahal’s 13 songs date back to the more explicitly rock-oriented What For? from 2015. Mahal was mostly completed last year in Bear’s Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra’s Ruban Neilson to Neon Indian’s Alan Palomo and the Mattson 2.
“I wanted to make a record that featured more musicians on it than any other record of mine,” he explains. “To have them live on that record feels grounded, bringing a communal perspective to the table.” As a result, Mahal is lush and surprising at every turn, from the cool-handed “The Loop,” which recalls Sly and the Family Stones, to the elastic psych rock of “Foreplay” and the dizzying Mulatu Astatke- recalling of “Last Year.”
Lyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout “Freelance” effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy “Postman” and the “Magazine” take a deep dive into our relationship with media in a changing digital world. “It’s interesting to see how we adapt to this new age. We’re so connected, but we’re still missing out on things,” Bear ruminates while discussing the album’s themes.
It’s not all introspection. Bear cools things down near the album’s end with the Mattson 2-featuring “Millennium,” a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. “It’s about enjoying the new year, even when it’s been shitty,” Bear explains. “There’s nothing else to do.” Finding a sense of joy in the face of adversity is embedded in Mahal’s DNA, right down to the jeepney that literally and figuratively brings the music out into the community. “We know that touring is messed up for now, and large gatherings are a fluke,” he explains. “It’s about the notion of us going out to the people and bringing the record to them.” And with the wide-open atmosphere of Mahal, Toro y Moi stands to connect with more listeners than ever before."
Fear of the Dawn is the fourth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, pressed to vinyl at Third Man Pressing, and released by Third Man Records. Pressed on limited astronomical blue vinyl, only available at independent record stores
Selling over 360,000 CDs since its release, the beloved self-titled album, Jerry Garcia Band, was the band's first live release recorded in the spring and summer of 1990 at The Warfield in San Francisco. The iconic lineup features John Kahn, Melvin Seals, David Kemper, Gloria Jones, and Jacklyn LaBranch. In celebration of the album's 30th anniversary, this deluxe 5xLP set is pressed on 180g vinyl in a textured paper wrapped, foil-stamped box and available in a limited edition of 10,000 copies.
Vinyl: $35.98 Buy
Following the eclectic charm and intimacy of 1970's solo McCartney and 1971's homespun lo-fi indie-pop progenitor RAM credited to Paul and Linda McCartney, Wild Life found Paul once again redefining his post-Beatles creative identity, this time beginning his tenure as a founding member of Wings. A rollicking left turn from its predecessors, Wild Life was recorded in barely more than a week, with more than half of the songs captured in a single take. The end result would be eight songs running the gamut from joyous freewheeling jams to proto-chamber pop to spare introspective musings — all bristling with a raw, jagged energy akin to the grungiest of garage bands—whether on the careening blues-rock rave-up of opener "Mumbo," a reggae-tinged reimagining of Mickey & Sylvia's "Love Is Strange," or the plaintive and heart wrenching ballad "Dear Friend."
Time Skiffs’ nine songs are love letters, distress signals, en plein air observations, and relaxation hymns, the collected transmissions of four people who have grown into relationships and parenthood and adult worry. But they are rendered with Animal Collective’s singular sense of exploratory wonder. Harmonies so rich you want to skydive through their shared air, textures so fascinating you want to decode their sorcery, rhythms so intricate you want to untangle their sources. Here is Animal Collective's past two decades, still in search of what’s next.
Special edition of the album includes 6 photographs from the Barn sessions.
BARN, the new Neil Young/Crazy Horse album was recorded in a remote, restored, 19th century log barn. This musical family has played together for a half century, yet they continue creating new music. Neil and the Horse fans have long shouted for “more barn” and here it is… 10 new songs that capture the wild, rock and roll spirit, the idiosyncratic raw sound and the lyrical beauty that epitomizes a classic NYCH collaboration. The last song appeared on the last morning and was recorded just an hour later during a pounding hailstorm and during the full moon.
The album was recorded this summer over a handful of days. The ten new songs encompass all that Neil Young with Crazy Horse are known for, beautiful romantic acoustic ballads, powerhouse electric rockers and insightful rollicking tunes that stick with you.
Niko Bolas was parked adjacent to the barn, in an exquisite analog mobile recording truck, Le Mobile ready to capture and mix the album on the spot. Produced by The Volume Dealers – Neil Young and Niko Bolas, the album will be released on vinyl, CD, cassette and digitally. There will also be a deluxe edition that will include the LP, CD. and Blu-ray film.Special edition of the album includes 6 photographs from the Barn sessions.
Vinyl: $48.98 Buy
A limited-edition black vinyl release of the Grammy-award winning U2 album Achtung Baby, to celebrate its 30th Anniversary.
Produced by Daniel Lanois and Brian Eno, and recorded between Berlin’s Hansa Studios and various locations in Dublin, Achtung Baby was released to critical acclaim in 1991 & is regarded as one of U2’s most seminal albums. The album featured five singles: ‘The Fly’, ‘Mysterious Ways’, ‘One’, ‘Even Better Than The Real Thing’ and ‘Who’s Gonna Ride Your Wild Horses’.
Please note product includes explicit content.
Some forty years into one of music’s most impactful partnerships, Tears For Fears have arrived together at The Tipping Point – the group’s ambitious, accomplished and surprising first new studio album in nearly two decades. An inspired song cycle that vividly recalls the depth and emotional force of the group’s earliest triumphs, The Tipping Point is the bold, beautiful and powerful sound of Tears For Fears finding themselves together all over again.
Vinyl: $19.98 Buy
“I’m starting to realize that being an outlier and a weirdo––it doesn’t have to be a bad thing,” says Sarah Shook. Shook pauses, then adds with a grin, “It can be whatever you want it to be.”
Shook is home in North Carolina, talking about Nightroamer, the hotly anticipated new album from their band, Sarah Shook & The Disarmers. Backed by white-knuckle playing from Eric Peterson on guitar, Aaron Oliva on upright bass, drummer Jack Foster, and Adam Kurtz on pedal steel, Shook has pulled from Hank Williams, Elliott Smith, the Sex Pistols, and Shook’s own inquisitive, open, outlying self to create pop-savvy, honky-tonk punk that’s both an escape and a reality check––a re-opened wound and a balm. Relationships and life-changing realizations are dissected with honesty and humor, three tight minutes at a time.
When Sarah Shook & The Disarmers released Sidelong four years ago, the irreverent quintet’s debut turned heads around the world. Then 2018’s follow-up Years hooked everyone from Rolling Stone to Vice. “This ain’t no country for hipsters or posers,” said No Depression. “It’s real, raw, mean-and-evil-bad-and-nasty bidness.” Then, the first two albums turned into a tease: The pandemic shut down the world, just as The Disarmers finished recording Nightroamer in Los Angeles. The band has had to sit on the album––until now.
Nightroamer is worth the wait. This is still a band whose recordings beg to be heard live, either in a punk-rock hole in the wall or honky-tonk roadhouse. Shook’s voice is crystalline––but boozy, too, with a cadence that sounds comfortable resting in the pocket before lagging, jumping, or cozying up to the offbeat. What initially may feel like a slip is actually a stroke––and listeners cannot get enough.
Produced by Pete Anderson, Nightroamer is the confident next step fans hoped The Disarmers could take. “I think this record is different than ones we’ve done in the past. It feels every bit as expansive as I wanted it to feel,” says Shook. “I didn’t want there to be a shocking, jarring difference, but I definitely wanted it to feel like things are opening up. It’s a bigger feeling experience.”
Asked what they hope listeners experience, Shook is clear. “Music is one of the ways we can connect to other people,” they say. “That’s my hope: That people feel seen and they feel connected to something that brings them a sense of peace.”
Acclaimed singer, songwriter and musician Molly Tuttle will release her anticipated Nonesuch Records debut, Crooked Tree, April 1 (on CD and digital. LP will be May 13) with her new bluegrass collective Golden Highway.
Recorded live at Nashville’s Oceanway Studios, Crooked Tree was produced by Tuttle and Jerry Douglas and features collaborations with Sierra Hull, Old Crow Medicine Show, Margo Price, Billy Strings, Dan Tyminski and Gillian Welch. The album explores Tuttle’s love of bluegrass, which she discovered through her father, a music teacher and multi-instrumentalist, and her grandfather, a banjo player. Across these thirteen tracks, all of which were written/co-written by Tuttle, she honors the bluegrass tradition while also pushing the genre in new directions.
“I always knew I wanted to make a bluegrass record someday,” Tuttle says. “Once I started writing, everything flowed so easily: sometimes I’ve felt an internal pressure to come up with a sound no one’s heard before, but this time my intention was just to make an album that reflected the music that’s been passed down through generations in my family. I found a way to do that while writing songs that feel true to who I am, and it really helped me to grow as a songwriter.”
In celebration of the new music, Tuttle and Golden Highway—Bronwyn Keith-Hynes (fiddle), Dominick Leslie (mandolin), Shelby Means (bass) and Kyle Tuttle (banjo)—will embark on an extensive headline tour beginning tonight with shows at Seattle’s Tractor Tavern (two nights), Portland’s Mississippi Studios (two nights), Los Angeles’ Roxy, Salt Lake City’s State Room, Boulder’s Fox Theatre, Asheville’s The Grey Eagle and Nashville’s Station Inn, among several others. Full details can be found at mollytuttlemusic.com/tour.
In addition to Tuttle (vocals, guitars), Douglas (dobro), Keith-Hynes (fiddle) and Leslie (mandolin), Crooked Tree also features musicians Darol Anger (fiddle), Ron Block (banjo), Mike Bub (upright bass), Jason Carter (fiddle), Viktor Krauss (upright bass), Todd Phillips (upright bass) and Christian Sedelmyer (fiddle) with additional harmony vocals from Tina Adair, Lindsay Lou and Melody Walker.
For two decades now, Greensky Bluegrass has been building an empire, brick by brick. Their eighth studio release, Stress Dreams was produced by Dominic Davis (Jack White) and Grammy winning engineer/producer Glenn Brown amidst the 2020 pandemic. It follows their 2019 release, All for Money, which landed on the Top 100 at the Billboard Albums Chart, Top 20 at Independent Albums and Current Country Albums, Top 10 at Americana/Folk Albums Top 5 at Heatseekers, and #1 at Bluegrass Albums. Greensky is widely known for their dazzling live performances and relentless touring schedule. As with traditional bluegrass, the band writes about their own contemporary day-to-day happenings, emotions, and experiences in the modern world. Their die-hard fans pack out venues across the country. They travel in droves and sell out multiple-night show runs at iconic venues like Red Rocks and The Ryman.
A series of inspired encounters between creative forces from various worlds of sound and vision has resulted in “Hunter’s Moon,” the infectious first new track from GHOST in 2 years accompanied by phantasmagoric video directed by Amanda Demme, and featured in the newest installment of the blockbuster horror film franchise, Halloween Kills.
Single sleeve jacket with spine, standard gloss finish, white paper inner sleeve, standard weight, vinyl with small hole, and John Carpenter “Halloween Kills (Main Title)” b-side.
The iconic 1971 release gets expanded for its 50th Anniversary. Featuring the original single LP newly remastered with two additional vinyl discs of period-perfect vintage mixes from the Vault. Includes the John Lennon and Yoko Ono encore and the original "Billy The Mountain!" Liner Notes by Vaultmeister Joe Travers. Pressed on 180g vinyl by Optimal:Media in Germany and cut by Chris Bellman at Bernie Grundman Mastering 2021.
Also Available The Mothers 1971 [Super Deluxe Edition 8CD Box Set], Live at Rainbow Theatre [3LP]
The historic and infamous final show of the Flo & Eddie line-up with The Mothers in its entirety. The show was a success until FZ was shockingly pushed off stage by a concert attendee, resulting in grave injuries for FZ causing the cancellation of the tour and ultimately the band. Featuring a brand new 2021 mix & liner notes by Eddie Kramer and mastering by Bernie Grundman. Pressed onto a 3 LP set on 180g by Optimal:Media in Germany.
Also Available The Mothers 1971 [Super Deluxe Edition 8CD Box Set], Live At Fillmore East, June 1971: 50th Anniversary [3LP]
Vinyl: $28.98 Buy
Things Take Time, Take Time is an assured leap forward for Barnett; a breakthrough really. This is Barnett at her most relaxed, creative and joyful. An exquisite look at the intimate, private world created by Barnett and drummer/producer Stella Mozgawa (Warpaint, Cate le Bon, Kurt Vile). It's consequently her most beautiful and intimate record to date.
Country/Bluegrass album, Run, Rose, Run that will be released along with a novel co-written with the famed author, James Patterson, sharing the title Run Rose Run. The 12 songs were inspired by the book storyline and feature Country and Bluegrass artists; Joe Nichols, Rhonda Vincent, The Issacs, and Dailey & Vincent. Dolly & James will be doing book and album promotions together - presenting a unique co-marketing opportunity.
Ghost one of the most esteemed and celebrated rock bands in the world today return with their fifth psalm, IMPERA, fronted by the newly anointed Papa Emeritus IV. A dozen songs take on themes of isolation and demigod worship, as well as colonization of both space and mind. And all with the infectious hooky brand of rock their fans have grown accustomed.
8 LPs on 180-gram vinyl collects 70 tracks, including 47 (42 previously unreleased) demo recordings, session outtakes, and studio jams. Slipcase packaging contains a 60-page scrapbook by Olivia Harrison and a replica of the original album poster.
In celebration of the 50th Anniversary, George Harrison’s All Things Must Pass is being celebrated with a suite of new releases highlighted by a stunning new mix of the classic album by Grammy Award-winning mixer/engineer Paul Hicks, overseen by executive producer Dhani Harrison.
50th Anniversary Edition features direct-to-analog mastering from the original tapes by Kevin Gray. Included are 4 rare cuts making their vinyl debut, highlighted by the “stripped” version of the title song, plus six mono single mixes and B-sides. Pressed on 180-gram 2 LP in a tip-on heavy stock gatefold jacket with printed sleeves featuring lyrics, track details, a brief essay honoring arranger David Van De Pitte, and main essay by poet Hanif Abdurraqib.
"Musically and lyrically, Red resembled a heartbroken person. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Happy, free, confused, lonely, devastated, euphoric, wild, and tortured by memories past. Like trying on pieces of a new life, I went into the studio and experimented with different sounds and collaborators. And I'm not sure if it was pouring my thoughts into this album, hearing thousands of your voices sing the lyrics back to me in passionate solidarity, or if it was simply time, but something was healed along the way...This will be the first time you hear all 30 songs that were meant to go on Red. And hey, one of them is even ten minutes long." - Taylor Swift. Includes 9 unreleased songs from the vault.
In a career marked by risk-taking and rule-breaking, Simpson has previously challenged genre conventions with 2016’s soul-inflected A Sailor’s Guide to Earth, which won the Grammy award for Country Album of the Year and was nominated for Album of the Year, and 2019’s Sound & Fury, which was nominated for Rock Album of the Year.
Recorded direct to acetate - all live, no overdubs - Capitol Cuts - Live from Studio A captures a powerful moment in time. After months of cancelled shows Black Pumas went to Los Angeles this past fall and laid down eight explosive tracks at the famed Capitol Studio A. The recording brims with pent up energy, nearly bursting through the grooves on the expansive and mind-blowing seven minute rendition of “Colors.” A few weeks later the song would received a Grammy nomination for Record of the Year.
Vinyl: $149.98 Buy
Original remastered album, previously unreleased full live concert and BBC Session Recorded in 2012, 2011 Electro-Vox Session, limited-edition poster and lithograph, “new car scent: air freshener, 100-page photo book.
The Black Keys release a special tenth anniversary edition of their landmark seventh studio album El Camino via Nonesuch Records on November 5, 2021. El Camino (10th Anniversary Deluxe Edition) will be available in several formats including a Super Deluxe edition of five vinyl LPs or four CDs, featuring a remastered version of the original album, a previously unreleased Live in Portland, ME concert recording, a BBC radio Zane Lowe session from 2012, a 2011 Electro-Vox session, a limited-edition photo book, poster, and lithograph, and a “new car scent” air freshener. A three-LP Deluxe edition, which includes the remastered album and the live recording, also will be available.
The Black Keys won three awards at the 55th annual GRAMMY Awards for El Camino— Best Rock Performance, Best Rock Song, and Best Rock Album—among other worldwide accolades. In the UK, the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band).
El Camino was produced by Danger Mouse and The Black Keys and was recorded in the band’s then-new hometown of Nashville during the spring of 2011. In the UK, the record gave the band their first top 10 hit, and in the US it debuted at # 2 on the Billboard Top 200. The band was also the # 1 most played artist at Alternative and AAA radio formats for 2012 in the US. The album’s first single, “Lonely Boy,” reached # 1 on the Alternative and AAA charts; it also entered the top 10 at Rock radio. The second single, “Gold on the Ceiling,” also reached # 1 on Alternative radio and the third single, “Little Black Submarines,” reached the top 3 at Alternative radio. El Camino has been certified Double Platinum in the US, Australia, and New Zealand; Platinum in the UK, France, Ireland, and Belgium; Quadruple Platinum in Canada; and Gold in Denmark, Italy, the Netherlands, and Spain. Of the album’s singles, "Lonely Boy" was certified nine-times platinum in Canada, triple-platinum in Australia, platinum in New Zealand, and gold in Denmark. "Gold on the Ceiling" was certified platinum in Australia and Canada.
Rolling Stone hailed El Camino for bringing “raw, riffed-out power back to pop’s lexicon,” and called it “the Keys’ grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair.” The Guardian said, “They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done.”
"Two of the acts boldly leading Texas music into the future have now delivered a second chapter of their groundbreaking collaboration, further extending the region’s sonic possibilities. Singer/songwriter Leon Bridges, from Ft. Worth, and trailblazing Houston trio Khruangbin have joined forces for the Texas Moon EP, a follow-up to 2020’s acclaimed Texas Sun project. While the five new songs are clearly a continuation of the first EP, they also have an identity all their own—Bridges calls it “more introspective,” while Khruangbin bassist Laura Lee says it “feels more night time.” When Texas Sun was released, AllMusic called the results “intoxicating” and Paste noted that “their talents and character go together so well.” Now comes the next stage—a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves. Significantly, both parties’ musical directions were clearly affected by their time working together. Khruangbin’s most recent album, Mordechai, moved their own vocals much further forward, a change they readily admit was a direct result of working with Bridges. Meanwhile, since these recordings began, in addition to his genre-defying album Gold-Digger’s Sound, Bridges has put out several other challenging, shared tracks, including work with John Mayer, Lucky Daye, and Jazmine Sullivan. Texas Moon represents a genuine and rare achievement, with two of the most respected and innovative acts of their generation truly collaborating to create something new. “As far as an essentially instrumental band, these guys are kind of the top for me,” says Bridges. “I’m honored to have been the first singer that they’ve incorporated in their music.” “It feels really special to me,” says Lee. “It’s not Khruangbin, it’s not Leon, it’s this world we created together."
Vinyl: $149.98 Buy
Vinyl: $32.99 Buy
A sizzling 2-LP collection showcasing Fania’s era-defining output of Latin soul and boogaloo music spanning 1965-1975. The set compiles single versions of 28 tracks from such best-selling artists as Ray Barretto, Joe Bataan, Bobby Valentín, Ralfi Pagan and Larry Harlow, plus rarities and b-sides. An eight-page book features new in-depth liner notes by compilation co-producer and DJ Dean Rudland, as well as photos and ephemera. Lacquers were cut by Phil Rodriguez at Elysian Masters.
Gold and clear vinyl LPs in separate jackets with custom dust sleeves, two posters, book, all enclosed in a hinged box.
Once Twice Melody is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach House records remain present throughout many of the compositions.
Beach House is Victoria Legrand, lead singer and multi-instrumentalist, and Alex Scally, guitarist and multi-instrumentalist. They write all of their songs together. Once Twice Melody is the first album produced entirely by the band. The live drums are by James Barone (same as their 2018 album, 7), and were recorded at Pachyderm studio in Minnesota and United Studio in Los Angeles. For the first time, a live string ensemble was used. Strings were arranged by David Campbell.
The writing and recording of Once Twice Melody began in 2018 and was completed in July of 2021. Most of the songs were created during this time, though a few date back over the previous 10 years. Most of the recording was done at Apple Orchard Studio in Baltimore. Once Twice Melody was mixed largely by Alan Moulder but a few tracks were also mixed by Caesar Edmunds, Trevor Spencer, and Dave Fridmann.
CD: $19.95 Buy
Curated by director Todd Haynes, the official soundtrack to his feature documentary (out Oct 15 on Apple TV+) about the highly influential, iconic New York band, The Velvet Underground.
I’ll Be Your Mirror: A Tribute to the Velvet Underground & Nico, which is a contemporary tribute to the Velvets debut album.
Bonobo will release new album Fragments, due on January 14, 2022 via Ninja Tune. Fragments is the most emotionally intense record that he - aka Simon Green - has ever had to make. It’s no surprise that it’s also his masterpiece. The album features Jamila Woods, Joji, Kadhja Bonet, Jordan Rakei, O’Flynn and Miguel Atwood-Ferguson. Born first out of fragments of ideas and experimentation, the album ultimately was fused together in a burst of creativity fueled by both collaboration and Green’s escape into the wild.
Super Deluxe contains 5 CDs showcasing the newly remastered album from the original analog tapes along with 4 complete concerts on the Nevermind Tour from Amsterdam, Melbourne, Tokyo and Del Mar, California. Additionally, a Blu-ray of the complete Live in Amsterdam concert video (newly remastered in HD) is included along with a 40-page hardcover book with unreleased photos.
30 is the first new music from Adele since the release of her third studio album 25 in November 2015. The album is produced with former collaborators Greg Kurstin, Max Martin and Shellback and Tobias Jesso Jr., as well as new collaborators Inflo and Ludwig Goransson.
Cat Power returns with Covers, Chan Marshall’s third album of her celebrated reinterpretations of songs by classic and contemporary artists.
On Covers, Marshall reaches back to songs that have affected her from childhood to the present, connecting each with a deeply personal memory. She recalls her grandmother’s love for Billie Holiday’s “I’ll Be Seeing You” and finding a box of cassettes as a teenager that led her to discovering Kitty Wells’ “It Wasn’t God Who Made Honky Tonk Angels.” She remembers getting chills hearing Iggy Pop’s “Endless Sea” in the 1986 Michael Hutchence film Dogs in Space and being a broke artist in her twenties in New York City spending her last dollar to play the Replacements’ “Here Comes a Regular” on the jukebox at Mona’s. She recorded the Pogues’ “Pair of Brown Eyes,” which she calls one of her favorite songs of all time, after it reminded her of one friend who passed from cancer and turned to Bob Seger’s “Against the Wind” to help her heal from the loss of another.
Alongside covers of rock-and-roll icons from Nico to Nick Cave, Marshall brings her inimitable vocal power and elegant arrangements to songs by contemporary artists, capturing the defiance of Dead Man’s Bones’ “Pa Pa Power” and the dreaminess of Lana Del Rey’s “A White Mustang.” And the album opens with a dazzling cover of Frank Ocean’s “Bad Religion,” of which she says, “I believe in whatever God is called… But I think that the wretched men that have come in history to implement horror on humanity in the name of these religions is something that should be looked at universally.”
Finally, Covers finds Marshall, an artist of constant evolution, reworking “Hate,” a song from her 2006 LP The Greatest on which she sang “I hate myself and I want to die.” Marshall says she has always felt “antsy” about the track and reimagined it as “Unhate,” a new version that looks back on the raw devastation of the original track in the rearview. “We all have bad days,” she says. “We all have shit, trauma, something. There are times when you feel like that. But I needed to make it right.”
Marshall self-produced all of Covers; it was recorded in Los Angeles at Mant Studios with Rob Schnapf, who mixed and engineered.
50 years following the release of his self-titled first solo album McCartney, featuring Paul playing every instrument and writing and recording every song, Paul McCartney released McCartney III on December 18th 2020. Paul hadn’t planned to release an album in 2020, but in the isolation of “Rockdown,” he soon found himself fleshing out some existing musical sketches and creating even more new ones. Before long an eclectic collection of spontaneous songs would become McCartney III: a stripped back, self-produced and, quite literally, solo work marking the opening of a new decade, in the tradition of 1970’s McCartney and 1980’s McCartney II. Recorded in Sussex, McCartney III is mostly built from live takes of Paul on vocals and guitar or piano, overdubbing his bass playing, drumming, etc. atop that foundation. McCartney III spans a vast and intimate range of modes and moods, from soul searching to wistful, from playful to raucous and all points between — captured with some of the same gear from Paul’s Rude Studio used as far back as 1971 Wings sessions. And Paul's array of vintage instruments he played on the new album have an even more storied history, including Bill Black of Elvis Presley's original trio's double bass alongside Paul's own iconic Hofner violin bass, and a mellotron from Abbey Road Studios used on Beatles recordings, to name but a few. Just as McCartney’s 1970 release marked Paul’s return to basics in the wake of the biggest band break-up in musical history, and the 1980 avant-garde masterpiece McCartney II rose from the ashes of Wings, McCartney III finds Paul back on his own, turning unexpected circumstances into a personal snapshot of a timeless artist at a unique point in history.
The brand new indie-exclusive ‘3333 Edition’ of McCartney III, pressed by Third Man Pressing, is limited to 3,333 copies worldwide on yellow-and-black splatter vinyl composed from a “regrind” of McCartney & McCartney II records.
I’ll Be Your Mirror: A Tribute to the Velvet Underground & Nico, is a contemporary tribute to the Velvets debut, with each of the album’s songs performed by one of the band’s noteworthy artistic descendants. Featured artists include Kurt Vile & the Violators, Sharon Van Etten, Iggy Pop & Matt Sweeney, Michael Stipe, Matt Berninger of The National, Courtney Barnett, King Princess, Fontaines D.C. and more. Wide Spine Jacket. Indie Exclusive Yellow 2 LP.
Swedish musician and producer DJ Seinfeld (Armand Jakobsson) rose to prominence in 2016 through the so-called 'lo-fi house' scene, inadvertently helping define its sound. His debut album 'Time Spent Away From U' (2017) received support from Pitchfork, Resident Advisor and Crack Magazine with Rolling Stone describing the album as 'one of the best proper dance-music albums of the year' whilst FACT called it 'a victory lap'. Contemporaries like Aphex Twin (who played his track 'Sakura' in recent live shows), Flying Lotus, Four Tet, Flume, Bonobo, Hot Chip, Benji B, Marcel Dettmann, ODESZA, PatrickTopping are all known fans and supporters of his music. Now having transcended early labels, his long-awaited new album 'Mirrors' is set to be released on Ninja Tune in September.
Celebrate the 25th anniversary of DJ Shadow’s Endtroducing..... A seminal, incredibly influential hip-hop release, Endtroducing..... is simply one of the defining albums of the ‘90s. Now available as an Abbey Road Half-Speed Mastered Edition LP.
Vinyl: $197.98 Buy
Tattoo You celebrates 40 years with the release of a brand new Super Deluxe 5 LP Boxset which includes the newly remastered version of Tattoo You, Lost & Found: Rarities, and Still Life: Wembley Stadium 1982. Also included is a 124-page book featuring over 200 rare photos from recording sessions and their world tour, plus interviews with producer Chris Kimsey and photographer Hubert Kretzscmar. The package includes a special lenticular sleeve.
Vinyl: $199.98 Buy
Newly mixed by Giles Martin and Sam Okell in stereo as guided by the original "reproduced for disc" version by Phil Spector.
The Super Deluxe Edition includes 27 unreleased session recordings, a 4-track Let It Be EP, the 1969 unreleased 14-track "Get Back" stereo LP mix by Glyn Johns, and a 100-page hardback book with an intro by Paul McCartney, track-by-track recording information, and many unseen photos, notes, and more.
A slipcase box set houses the 4 LPs, 12" EP, and hardbound book.
FUTURE PAST is the highly anticipated 15th studio album from Duran Duran and boasts esteemed producers Erol Alkan, Giorgio Moroder and Mark Ronson behind the board. It features special guests Graham Coxon of Blur on guitar, Mike Garson from David Bowie's band on piano, and guest vocals from Lykke Li, with more exciting collaborations to be announced soon
Vinyl: $50.98 Buy
Daptone celebrates 20 years of soulful music with the release of The Daptone Super Soul Revue "LIVE at the Apollo". Performed and recorded over three nights in front of a sold-out crowd at The World Famous Theater in Harlem, NY (December 4th - 6th, 2014), this album brings the electrifying performances that helped put Daptone on the map directly to your living room! Featuring live sets from Sharon Jones and the Dap-Kings, Charles Bradley and his Extraordinaires, Naomi Shelton and the Gospel Queens, Antibalas, The Budos Band, Menahan Street Band, Saun & Starr, The Sugarman 3, as well as our em-cee, Binky Griptite. This album is lovingly dedicated to the memory of our dear friends Sharon, Charles, Naomi, and Cliff.
The War On Drugs announce I Don’t Live Here Anymore, their first studio album in four years, out October 29th on Atlantic Records. Over the last 15 years, The War on Drugs have steadily emerged as one of this century’s great rock and roll synthesists, removing the gaps between the underground and the mainstream, making records that wrestle a fractured past into a unified and engrossing present.
Just a month after A Deeper Understanding received the 2018 Grammy for Best Rock Album, the band retreated to upstate New York to jam and cut new demos. It was the start of a dozen-plus session odyssey that spanned three years and seven studios, including some of rock’s greatest sonic workshops like Electric Lady in New York and Los Angeles’ Sound City.
The War On Drugs’ 2022 tour takes the band to some of the largest venues they’ve ever played, including their first headlining show at MadisonSquare Garden, as well as Los Angeles’ Shrine Auditorium, the Bill Graham Civic Center in San Francisco, the Ryman Auditorium in Nashville, two nights at the Chicago Theatre, Philadelphia’s Metropolitan, the House of Blues in Boston, and beyond.
With such iconic tracks as “Christmas Time is Here” and “Linus and Lucy,” the Vince Guaraldi Trio’s A Charlie
Brown Christmas is the second–best-selling jazz title in history. Certified 4x Platinum and a perennial best-seller,
the soundtrack reached the Top 10 of the Billboard Charts in 2020 and #2 on the Billboard Vinyl Charts. For this
one-time only 2021 printing, the jacket has been wrapped in a silver foil while the embossed Peanuts characters
and tree have never appeared more striking.
Vinyl: $35.98 Buy
Deluxe edition of the groundbreaking, genre-defying second album by Alabama Shakes. Certified gold and the winner of four Grammys, Rolling Stone called "Sound & Color” a "weirder, woozier, fiercer and sexier record than their debut in nearly every way.” This repackaged set features revised artwork, new photos, and seven bonus tracks pulled from unreleased studio material, b-sides and live songs cut at the world renowned Capitol Records Studio A.
The Grammy® Award winning Almost Famous soundtrack is reissued as a super deluxe 6LP 180-gram vinyl boxset with 47 songs from the film including Led Zeppelin, Fleetwood Mac & 6 Stillwater songs. Unreleased songs: “Tiny Dancer (Almost Famous Version)” with Elton John & cast, The Who’s “Amazing Journey / Sparks (Almost Famous Version)” & more. Collectibles include a Stillwater poster, concert tickets, 40-page book & the William Miller cover story on Stillwater as a ’73 Rolling Stone newsprint.
Rip It Up: The Best Of Specialty Records brings together some of the most important tracks to be released on the notable Los Angeles record label. Founded in 1945 by Art Rupe, Specialty Records made a giant impact in the fields of gospel, rock n roll, and R&B. With legendary artists including Little Richard, Lloyd Price, Sam Cooke and Roy Milton – this completion features 18 tracks that helped to shape R&B as we know it.
Celebrating the 25th anniversary of R.E.M.’s tenth studio album, New Adventures in Hi-Fi. This special pressing—replicating the original gatefold package—offers the newly remastered album across 2-LPs, pressed on 180-gram vinyl, with lacquers cut by Kevin Gray at Cohearent Audio. The platinum-selling album features the singles “Bittersweet Me,” “Electrolite,” and “E-Bow the Letter.”
A striking gatefold neon green vinyl.
Garbage return with their seventh studio album ‘No Gods No Masters’, to be released 11th June 2021
“This is our seventh record, the significant numerology of which affected the DNA of its content.
The seven virtues
The seven sorrows
and the seven deadly sins.
It was our way of trying to make sense of the craziness of the world and the astounding chaos we found ourselves in.”
This newly discovered live-recording of a performance of the Love Supreme suite is a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for piece of musical history. While not studio-quality audio, the power of the performance shines through. This version is also of the full suite and features an expanded band that includes the same Classic Quartet and Pharoah Sanders in his first official gig as part of Coltrane’s group.
Vinyl: $20.98 Buy
To say In Heaven is about conquering grief would be oversimplifying everything Tim Showalter has achieved on the eighth studio album from Strand of Oaks. A stunning, hopeful reflection on love, loss, and enlightenment, In Heaven is a triumph in music making, and a preeminent addition to the Strand of Oaks discography.
In late 2018, Showalter’s wife, Sue, lost her mother in a car accident. Soon after, Stan, the cat they both adored, was diagnosed with terminal cancer. Showalter quit drinking so he could take better care of his wife and help rebuild the life they shared. And within months, they decided to pack up and move across the country from Philadelphia to Austin, Texas. It was an irrational decision made at the height of a terrible time, but it’s one that shaped so much of what In Heaven is about.
In Heaven was recorded in October 2020 with Kevin Ratterman at Invisible Creature in Los Angeles. Carl Broemel (My Morning Jacket) is featured on guitar throughout the record, while James Iha (The Smashing Pumpkins) contributed vocals and guitar for “Easter.” Bo Koster (MMJ, Roger Waters) provided keyboards, Cedric LeMoyne (Alanis Morrissette, Remy Zero) bass, Scott Moore violin, and Ratterman monstrous drums. Showalter also played a lot of synth on this record, which he hasn’t done since 2014’s HEAL. With clean sounds, Jeff Lynne-esque acoustics, and sophisticated songwriting, he approached In Heaven in a more poised and pop-leaning way than his past releases.
“I wanted to strive for something greater than what I thought I was capable of.”
The result is something extraordinary, as Showalter has crafted a poignant narrative that transcends his personal experiences and achieves a universality rooted not only in loss but joy, celebration, and newfound strength. The gorgeous opener “Galacticana” finds him telling us “I don’t want to drag you down,” a reassurance that his intentions lie in uplifting. But there’s a duality present throughout In Heaven that is palpable, as felt on “Easter,” an exuberant pop anthem featuring jaunty guitar and ethereal vocals courtesy of Iha, that both celebrates Showalter’s new life and references his efforts to “stop the boat from sinking.” It’s a powerful sentiment echoed in slow burner “Hurry,” which showcases some exceptional shredding by Broemel, and beyond, as Showalter explores mortality and a heightened sense of his own existence, intensified by a world where he no longer uses alcohol to cope.
Pairing smart, imaginative lyrics and striking arrangements, tracks like “Carbon” and its magnificent violin stand out, as does “Sister Saturn” with its funky, sinuous groove, and the sublime “Horses at Night,” which features one of Showalter’s most exquisite melodies to date. There’s also a discernible current running through In Heaven of homage to some notable losses in music—John Prine, Jeff Buckley, and Jimi Hendrix all play a part—for In Heaven is about moving beyond sadness or anger to a state of gratitude that we ever had these people to begin with. And while every song provides some clue to Showalter’s personal heaven, the jubilant “Jimi and Stan” says it all, wherein Hendrix and his beloved cat Stan are hanging out, going to shows, and looking at stars together.
And as our musical odyssey ends in the warm embrace of “Under Heaven,” the weight of everything Showalter has manifested—the beauty, and the sadness, and the immensity of it all—hits with tremendous impact. But any sense of hopelessness or melancholy yields to a different feeling entirely, just as he intended. Perhaps we’re feeling stronger, more prepared for something. Or maybe it’s just a reminder: call your parents, text your friends, hug your pets. Listen to your favorite records. And think about what it means to be alive.
Vinyl: $239.98 Buy
It’s finally here – Metallica’s eponymous album, better known as The Black Album – is remastered and will be available everywhere on September 10th. The Black album is one of the most commercially successful and critically acclaimed records of all time, with global sales of over 35 million, and contains a series of unrelenting singles, “Enter Sandman,” “The Unforgiven, “Nothing Else Matters, “Wherever I May Roam,” and “Sad But True.” The standard album is remastered by Bob Ludwig at Gateway Mastering and all other content is remastered by Reuben Cohen at Lurssen Mastering. All content was overseen by executive producer Greg Fidelman.
Limited edition deluxe numbered box set (with magnetic flap) of Metallica (Remastered)includes the album remastered on 180-gram double LP and CD, Sad But True picture disc, three live LPs, 14 CDs and six DVDs featuring unreleased content (live shows, rough mixes, demos, etc), MP3 download card of all audio, four tour laminates, lanyard, three lithos, three guitar picks, lyric folder and sheets, and a 120-page hardcover book with never-before-seen photos + stories from those who were there.
Elvis Costello and award-winning producer, Sebastian Krys, have brought together a stunning international cast of some of the biggest Latin rock and pop artists from around the globe to interpret Elvis Costello and The Attractions' album, This Year's Model, entirely in Spanish. The inspired Spanish-language adaptations are set to the band's classic studio performances, culled from the original master recordings, which have been newly mixed by Krys. Available on black Vinyl.
Elvis Costello & The Attractions' album, This Year's Model, which has been newly remastered.
Focusing on their craft, staying out of the fray, and holding fast their faith to find new ways to express the discord and delight of being alive, to turn the duality of existence into hymns we can share, Low present HEY WHAT. These ten pieces—each built around their own instantaneous, undeniable hook—are turbocharged by the vivid textures that surround them. The ineable, familiar harmonies of Alan Sparhawk and Mimi Parker break through the chaos like a life raft. Layers of distorted sound accrete with each new verse - building, breaking, colossal then restrained, a solemn vow only whispered. There will be time to unravel and attribute meaning to the music and art of these times, but the creative moment looks FORWARD, with teeth. HEY WHAT is Low's thirteenth full-length release in twenty-seven years, and their third with producer BJ Burton.
Vinyl: $103.98 Buy
Recorded in the spring of 2010 and then mysteriously abandoned by Prince before its release, the statement album Welcome 2 America documents Prince’s concerns, hopes, and visions for a shifting society, presciently foreshadowing an era of political division, disinformation, and a renewed fight for racial justice. The album features some of Prince’s only studio collaborations with the bassist Tal Wilkenfeld, drummer Chris Coleman, and engineer Jason Agel, with additional contributions from New Power Generation singers Shelby J, Liv Warfield, and Elisa Fiorillo and keyboardist Morris Hayes, who Prince also recruited to co-produce the album. The Deluxe Edition of Welcome 2 America combines the 2LP and CD versions of the album with a never before released Blu-Ray of Prince’s full April 28, 2011 performance at the Forum, part of the Welcome 2 America Tour’s historic 21 Nite Stand in Los Angeles. The show is presented in stereo, 5.1 surround and Dolby Atmos, and includes 24 tracks from across Prince’s career, from his biggest hits to fan favorites to ten rare covers. In addition, the deluxe edition features a 32 page 12x12 book, exclusive poster and an embossed vellum envelope of limited edition memorabilia all housed in a luxe, gold embossed package. Experienced as a complete package, the Deluxe Edition provides an immersive view of Prince’s creative genius during his spontaneous, energetic, and thought-provoking Welcome 2 America era.
This LP finally brings a Clipping fan-favorite, 2016’s Wriggle, onto vinyl in an improved, expanded version that features new art, previously unreleased remixes, and a track that’s exclusive to the vinyl format.
The original, digital-only Wriggle EP was six tracks that weren’t finished in time to make it onto the group’s 2014 Sub Pop debut, CLPPNG. For “Shooter,” Clipping recorded themselves firing fifteen dierent guns, the sounds of which exclusively constituted the beat’s drums, augmented only by a synthesized tone-row. The verses referenced the well-worn technique of “hashtag rap,” but instead of using it to boast about the rapper’s personal wealth and masculine prowess, Clipping put forth imagistic narratives of three violent encounters. True to much of the group’s music, “Shooter” was an attempt to reframe a familiar style and test the limits of its formal capabilities. “Hot Fuck No Love” contains what might be the most explicit verse to date from Clipping’s favorite New Jersey rapper Cakes Da Killa. The EP’s title track, “Wriggle,” was built around a sample of the influential power-electronics song “Wriggle Like a Fucking Eel” by Whitehouse, transforming William Bennett’s torturous imperative into a instructional dance-floor banger. “Wriggle” and “Shooter” have become classic Clipping tracks and staples of their live show.
With this vinyl edition, Clipping fans old and new - and there are many new fans thanks to their breakout 2020 album, Visions of Bodies Being Burned, and Daveed Diggs’ thriving acting career - get the vinyl version of Wriggle they’ve been clamoring for.
Harry’s House is the third solo studio album from Grammy award-winning global superstar Harry Styles. The 13-track full-length album was recorded in multiple locations across the UK, Los Angeles and Tokyo from 2020 to 2021. It was written by Harry alongside frequent collaborators Kid Harpoon, Tyler Johnson, and Mitch Rowland.
Dropout Boogie (INDIE EX) - The Black Keys
This is the indie exclusive White LP - limited to 4982 pieces.
As they've done their entire career, The Black Keys' Dan Auerbach and Patrick Carney wrote all of the material for their new album,Dropout Boogie, in the studio, and the album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements. After hashing out initial ideas at Auerbach's Easy Eye Sound studio in Nashville, the duo welcomed new collaborators Billy F. Gibbons, Greg Cartwright, and Angelo Petraglia to the sessions, marking the first time they've invited multiple new contributors to work simultaneously on one of their own albums.
BLACK KEYS / DROPOUT BOOGIE (INDIE EXCLUSIVE)
Florence + The Machine releases 5th studio album, Dance Fever. Written & produced through the haze of two lockdowns, in London & NY with producers Jack Antonoff & Glass Animals’ Dave Bayley. Dance Fever sees Florence at the peak of her powers, coming into a fully realized self-knowledge, poking sly fun at her own self-created persona, playing with ideas of identity, masculine & feminine, redemptive, celebratory, stepping into her place in the iconic pantheon. Indie Grey 2LP. 4th side etching.
A legendary event in the incredible 60-year history of the Rolling Stones is available for the first time in-full. ‘Live At The El Mocambo’ marks the first official appearance of the group’s two famous secret concerts at the 300-capacity Toronto club in March 1977. It features the Stones’ full set from the March 5 show, plus three bonus tracks from the March 4 gig, newly mixed by Bob Clearmountain. Now available on 4LP black vinyl housed in a die cut slipcase with etching.
With its latest album, Fortune Favors The Bold, Russell County, Virginia-based 49 Winchesteris ready and roaring to break onto the national scene with its unique brand of tear-in-your-beer alt-country, sticky barroom floor rock-n-roll, and high-octane Appalachian folk.
Fortune Favors The Boldis not only a record that showcases the current state of 49 Winchester, it’s a melodic stake in the ground of how this group is constantly evolving and taking shape, sonically and lyrically. But, it’s also about looking into the rearview mirror with a genuine appreciation for where you came from and what you’re made of. Those salt-of-the-earth traits in your blood and character that define what it actually takes to climb that damn mountain of dreams. At its essence, Fortune Favors The Boldis about going against all odds to bring your art into fruition and into the world - come hell or high water.
Lyle Lovett returns with his first new album in over 10 years,“12th of June”, due out on Verve Records May 13th, 2022. The album is a fantastic and eclectic collection of new original songs and beloved interpretations that will please existing fans as well as invite new ones. Immaculately recorded, it highlights the dynamics of Lyle and his Large Band– and their singular ability to shift from one genre to the next with uncanny grace and ability. From beautiful acoustic ballads to swinging big band numbers, this record will remind listeners why Lyle is national musical treasure.
Debut Album Solidifies Mallrat's Reputation as a Master of Clever, Timeless Pop
Available On Limited Edition [COLOR] Vinyl + CD Mallrat's prized pop songwriting has become a beacon the music industry eagerly follows, and on her debut album Butterfly Blue, she embodies the spirit of it's titular creature - but without the delicacy that keeps you at a distance. Over a dozen clever and open-hearted tracks, Mallrat - aka Grace Shaw - draws you in close and shows you the world through her wide, hopeful eyes.
WE is the new album from Canadian rock band Arcade Fire. This is the sixth Arcade Fire studio album, and is made up of seven songs that speak to this moment with unique directness. Written, recorded, and released during a critical historical juncture, they are divided into two distinct sides, “I” and “WE.” If the “I” side of the record evokes and embodies our holed-up anxiety and lack of physical connection, the “WE” side captures the excitement of new possibilities and the elevating thrill of committing to one another socially and personally. Produced by Nigel Godrich, Win Butler & Régine Chassagne, WE is a 40 minute epic as much about the forces that threaten to pull us away from the people we love, as it is inspired by the urgent need to overcome them.
Ukulele Songs comprises a fine mixture of original material penned by Vedder that he initially performed live, alongside vintage classics and standards. A recast, uke-driven version of "Can't Keep," which originally appeared as the opening track on Pearl Jam's hard-charging November 2002 album Riot Act, opens the proceedings, while newer-bred original songs like the resigned lament of "Sleeping By Myself," the charming love orbit of "Satellite," the hopeful brightness of "Light Today," and the instrumental interlude "Waving Palms" all set the table for the 35-minute album.
Guest vocalists appear on a pair of key Ukulele tracks, both of them fine covers of notable standards. First, Glen Hansard (The Frames, Once) adds his Irish folk DNA to "Sleepless Nights," which was written by Felice and Boudreaux Bryant and remade by The Everly Brothers in 1960, in addition to later being covered by the likes of Emmylou Harris, Patty Loveless, and Elvis Costello.
Second, Cat Power lends her passionate tone to "Tonight You Belong To Me," a jazz standard written in 1926 by lyricist Billy Rose and composer Lee David. This track has also been subsequently covered by the likes of Frankie Laine, Patience and Prudence, and Dottie West. Versions of "You Belong To Me" were also recently featured in the acclaimed 2019 film drama Blackbird and in an episode of the 2020 HBO horror-drama series Lovecraft Country.
The LP's other noteworthy covers include stirring takes on Billy Rose and Edward Eliscu's "More Than You Know," Michael Edwards and Bud Green's "Once In A While," and the album-closing reading of Fabian Andre, Wilbur Schwandt, and Gus Kahn's "Dream A Little Dream."
Produced by Eddie Vedder and Adam Kasper (Foo Fighters, Soundgarden), Ukulele Songs peaked at No. 4 on the U.S. Billboard 200, hit No. 2 on the U.S. Top Rock Albums on Billboard, and achieved Gold status in Canada.
EDDIE VEDDER / UKULELE SONGS
Featuring a diverse and spectacular cast of collaborators, "The Atlas Underground Flood" is a treasure trove of creativity, spanning many genres. The album is the surprise sister record released on the heels of "The Atlas Underground Fire”. “Fire” and “Flood” are a continuation of the Rage Against The Machine guitarist’s groundbreaking 2018 album, “The Atlas Underground.” Morello’s insane guitar playing is on full display taking the instrument into the future and forging an alternative/rock/EDM masterpiece with heavy metal legends, punk icons and cutting edge firebrands.
When a few friends offered to make a debut recordon him, Nashville songwriter Aaron Raitiere simply agreed to go along with it. In the four years since that first session for what would become Single WideDreamer, the auspicious project has retained its casual charm even as its guest list gradually expanded.Anderson East and Miranda Lambert, who co-produced the album, now appear alongside Nashvillemusicians like Dave Cobb, Natalie Hemby, Ashley Monroe,and Waylon Payne, as well as RobertRandolph, Foy Vance, and Bob Weir.“I think the record kind of made itself, and that was the vibe I was going with,” Raitiere says. “It was just a bunch of friends getting together trying to help me create something, because they thought I needed a record." The first sessions took place in East Nashville, where Lambert had just completed work on her album, The Weight of These Wings. Raitiere gave his producers complete creative control, from curating the songs to suggesting arrangements to adding guest vocals.He even rode into the studio with them everyday. Two years later, to round out the project, Eastand Raitiere reunited in RCA Studio A, ultimately ending up with 18 tracks in all and narrowing them down to 10.With a laid-back, speak-singing delivery, “SingleWide Dreamer” immediately conveys Raitiere’s contentment in living a low-key life. And although every song on the album could be considered a love song in its own way, what really ties them together is his observant writing, which is sometimes reflective, sometimes irreverent, but always inspired by his own experiences.
Grammy Award-winning duo Bob Moses release their highly anticipated third album, The Silence in Between. The Silence in Between marks the Los Angeles-based band’s first release since signing to Astralwerks in a unique global partnership with Domino Recording Co. Love Brand New is one of the most anthemic moments on The Silence in Between, “Love Brand New” finds Vancouver-bred musicians / producers Tom Howie and Jimmy Vallance tapping into their deep-rooted love for ’90s alt-rock and left-of-center dance music. Written with Michel Zitron and John Martin (a Swedish production duo known for their work with the likes of Avicii and Swedish House Mafia), the track encompasses a glorious collision of moody guitar tones, mercurial textures, and wildly propulsive beats as Bob Moses channel the dizzying euphoria of new romance.
As their boldest and most viscerally charged output to date, The Silence in Betweenamplifies the unbridled energy that’s made Bob Moses a repeat winner of Resident Advisor’s Best Live Act prize.
Love & Algorhythms is an interstellar synthesis of astral Soul, R&B, and sci-fi Funk. Working with producer Paul Butler (The Bees, Micheal Kiwanuka, Caroline Rose, Hurray for the Riff Raff), Seratones have taken the invitation to knock at the door of the cosmos. A.J. Haynes’s voice dances with soul-stirring devotion at the altar of Black Feminisms: weaving the words Toni Cade Bambara, Octavia Butler’s Xenogenesis multiverse, echoes of bell hooks, and Audre Lorde’s Power of the Erotic. With drummer Jesse Gabriel’s machine-like precision and the transcendental touches from guitarist Travis Stewart, the album oscillates between Alice Coltrane-inspired bliss & Giorgio Moroder’s ecstatic release. Each song hovers and pulsates in the wide, dark matter—constellations guiding a journey through the subtle body, the vast fullness of the human experience and the irresistible potential of liberation.
Scheduled for release in April 2022, the 10-song sophomore full-length album showcases Kirke’s unselfconscious, country-twinged vocals alongside a brightly colored candy shop of glam-twang guitar riffs, department store tv commercial synth stylings, and swooping, lilting, unabashedly feminine background vocals. Lady For Sale channels a high-spirited insouciance that feels invigorating and familiar, decidedly more easy-going and fun-loving than what we’ve come to expect from its genre (and the world in general) in recent years. This is a party you’ll want to attend.
CD: $39.98 Buy
Norah Jones’ seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.
Trombone Shorty returns with Lifted, his first album in 5 years and the follow-up to his Blue Note debut Parking Lot Symphony, featuring special guests including vocalist Lauren Daigle & guitarist Gary Clark Jr. An album that captures the energy of his legendary live shows, Lifted combines classic New Orleans sounds (funk, gospel, street rhythms, Mardi Gras Indian chants & second lines) with modern lyrics, melody & beats to create something fresh & unique. Part Jimi Hendrix, part James Brown and all New Orleans, Troy “Trombone Shorty” Andrews is the bandleader and frontman of Trombone Shorty & Orleans Avenue, a hard-edged funk band that employs brass-band beats, rock dynamics & improvisation in a jazz tradition.
2020's A Hero's Death saw Fontaines D.C. land a #2 album in the UK, receive nominations at the GRAMMYs, BRITs and Ivor Novello Awards, and sell out London's iconic Alexandra Palace. Now the band return with their third record in as many years: Skinty Fia. Used colloquially as an expletive, the title roughly translates from the Irish language into English as 'the damnation of the deer'; the spelling crassly anglicized, and its meaning diluted through generations. Part bittersweet romance, part darkly political triumph - the songs ultimately form a long-distance love letter, one that laments an increasingly privatized culture in danger of going the way of the extinct Irish giant deer.
Gifts From The Holy Ghost, Dorothy Martin’s third studio album as frontwoman for the pseudonymous rock band Dorothy, is the album she’s always wanted to make. Born from a sense of diving urgency, it’s their most bombastic rock n’ roll work yet. While their debut album was made on a combination of whiskey and heartbreak, Gifts was built on sobriety, health, and spiritualism, in a way that reverses the clichéd “good girl gone bad” narrative. It features the Top 40 Rock track, “Rest in Peace.”
Nearly sixty years after they first played together, Ry Cooder and Taj Mahal, longtime friends and collaborators, reunite with an album of music from two Piedmont blues masters who have inspired them all their lives: GET ON BOARD: THE SONGS OF SONNY TERRY & BROWNIE MCGHEE.
With Taj Mahal on vocals, harmonica, guitar, and piano and Cooder on vocals, guitar, mandolin, and banjo-joined by Joachim Cooder on drums and bass-the duo recorded eleven songs drawn from recordings and live performances by Terry and McGhee, who they both first heard as teenagers in California.
TAJ MAHAL & RY COODER - GET ON BOARD
Joshua Hedley is “a singing professor of country & western,” he declares on his raucous and witty new album, Neon Blue. It might sound like a punchline, but it’s not. An ace fiddle player, a sharp guitarist, and a singer with a granite twang, he’s devoted his entire life to the study of this genre. Ask him about it and he’ll explain: “When all my friends went off to college, I went to Nashville. I was 19 years old playing honkytonks and getting an education.” His 2018 debut, Mr. Jukebox, showcased his deep knowledge of country’s history, in particular the beery ballads of the 1950s and ‘60s. His mentors were George Jones, Ray Price, and Glen Campbell, but his most remarkable accomplishment was putting his own spin on their style.
Neon Blue, on the other hand, examines a very different, often forsaken era: the early 1990s. “The last bastion of country music,” says the professor, “was the early 1990s, roughly 1989 and 1996. You could turn on the radio and immediately know you’re hearing a country song. You could still hear steel guitar and fiddle. But there was a hard fork around 1996 or ’97, when country veered off into pop territory. Neon Blue asks, What if that fork had never happened? What if country kept on sounding like country?”
That era may have been dismissed by traditionalists at the time as slick or overproduced, but Hedley finds something exciting in that old hat-act sound, and Neon Blue plays up the excitement of bigger-than-life choruses, the relatable emotions of those sad-eyed ballads, and the inventiveness of the lively production. “The sound is modern,” he says, “but it’s still discernibly country.”
Calexico occupy their signature sound on the new album, El Mira- dor; riding the continental divide between dream pop, Mexican folk and Americana. If any band understands how to expand their sound without losing the brilliant essence of the band, it’s Calexico. Their songs run the gamut from retro-tinged alt-rock, to sentimental folk to southwestern tracks with an impressive display of vision and expertly honed skills. With vocals that intertwine English and Spanish, El Mirador embraces the musical heritage of the southwest, and features guest artists from all musical genres including: Sam Beam (Iron & Wine) who drops backing vocals on “Harness the Wind”, Jairo Zavala of Depedro is featured vocalist on “Cumbia Peninsula” Gaby Moreno and Mexican Institute Of Sound are featured on “Cumbia Del Polvo”.
On his first album in partnership with Verve Records, Kurt Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions — and the result is a vibrant, yet meditative record propelled by laid-back charm and curious spirit.
Seether - "Vicennial - 2 Decades Of Seether" Vicennial - 2 Decades of Seether is a career-spanning compilation of the RIAA Platinum-selling group's greatest hits, including 16 #1 original singles, as well as the fan-favorite cover of "Careless Whisper." The track list, curated by the band, takes you through their impactful 20-year career - from their early breakthrough singles "Broken" and "Fine Again" to their recent radio success "Dangerous." Indie Exclusive Smoke 2 LP w/ Gatefold Jacket.
Boston 1971: Historic early recording of Aerosmith in their rehearsal room – just the band, crew, and friends captured on Joe Perry's tape recorder. This never-before-heard performance showcases the early, raw talent of this future Hall Of Fame band, one year before signing to Columbia Records and two years before their eponymous debut, which featured many of these songs, including their enduring anthem" Dream On."
Daniel Rossen knew there was a lot to learn if he was finally going to finish his debut solo album. For nearly two decades, Rossen had been a crucial component of Grizzly Bear, the era-epitomizing act whose shared harmonies and interlaced textures meant he was responsible for only part of a whole. But Rossen left the close-knit nest of Brooklyn many years ago, first for an isolated patch of land in upstate New York and then for the high desert climes of Santa Fe. The whole, as it were, was now his. So Rossen bought an upright bass (one of his instruments as a kid) and played all the parts himself, along with the cello. Best known as a guitarist, he took up woodwinds, too, buying several cheap student models and learning just enough to understand the rudiments. And then, largely at home in Santa Fe, he slowly built the world that is You Belong There, a riveting 10-song reintroduction to a voice that sounds both entirely familiar and fully reenergized by the act of unfettered expression.
Every Lucius song is an act of enchantment, a spell cast by the indelibly harmonized voices of Jess Wolfe and Holly Laessig. Onstage, the performance becomes an invitation to be witness to their transformation; the dance between two individuals becoming one voice, one vision and bound by psychic symmetry. And while the effect of this spectacle is hypnotic and gloriously strange, the songwriting continues to be the hand that reaches out from behind the curtain to hold the audience, bringing together everything that makes you nostalgic for the past, while looking to the future. After spending 4 years touring their critically-acclaimed albums Wildewoman and Good Grief with bandmates Dan Molad and Peter Lalish, they toured the world singing on Roger Waters’ Us and Them Tour. Lucius continue to earn adoration from fellow musicians, with Wolfe and Laessig lending their vocals to albums by artists as eclectic as Nathaniel Rateliff, Harry Styles, Sheryl Crow, John Legend, Ozzy Osborne and The Killers.
Our only goal is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.
We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe.This is our life’s mission. We work, focus, and prepare, so that when the biggestwave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is theride that is the sum of our lives. Thank you for listening, we hope you enjoy it.
One of the most successful acts in rock history, Red Hot Chili Peppers have sold more than 60 million albums, including five multi-platinum LPs, and won six Grammy Awards, including "Best Rock Album" for Stadium Arcadium, "Best Rock Performance By a Duo or Group" for "Dani California, "Best Rock Song" for "Scar Tissue," and "Best Hard Rock Performance With Vocal" for "Give It Away." The band holds the record for the most No. 1 singles of all time at Alternative radio, a total of 11, and a combined 81 weeks at No. 1.
This is a color LP that features alternative packaging from the standard LP. The LP package also includes a download of the full album that includes two exclusive bonus tracks.
Luther and Cody Dickinson started North Mississippi Allstars in 1996 as a loose collective of like-minded second-generation musicians who shared a local repertoire and regional style. Over the years the lineup shifted by design, and each NMA record offered up a different combination of collaborators. Set Sail finds the brothers working with Jesse Williams on bass and Lamar Williams, Jr. for the first time.
Set Sail, North Mississippi Allstars’s thirteenth album, follows 2019’s Up and Rolling, which was nominated for a Grammy Award for the Best Contemporary Blues Album in 2021. Set Sail continues the band’s tradition of creating roots music that displays remarkable variety. With their latest record, NMA are able to build upon their self-described sound of Primitive Modernism - a melding of the new and the old, traditional and futuristic, crafted lyrics and improvisational music.
Want to get a bead on Paul Cauthen?
Good freakin' luck -- especially on his third album, COUNTRY COMING DOWN.
COUNTRY COMING DOWN has been in motion awhile, actually. The title track, one of several co-writes with good Nashville pal Aaron Raitiere, has been around since before Cauthen's dark sophomore album ROOM 41. Its sense of campfire calm and "damn near off the map" idyll set a bar, for both music and lifestyle, that Cauthen aspired to, while the rest of the new album, recorded at Modern Electric Sound Recorders in Dallas with regular collaborators Beau Bedford (Texas Gentlemen) and Jason Burt (Medicine Man Revival), shows that Cauthen was able to get there without losing any of the playful "hot dog holly golly dagnabit" good-time spirit that rolls off his tongue like a tumbleweed in the west Texas panhandle.
If you want to know what COUNTRY COMING DOWN sounds like, tuck into the album's sonic array, an austere, sinewy attack that puts Cauthen's vocals dead center in the ride. "We've really unleashed Big Velvet in this situation, which I love," he says. Nowhere is that more true than "Country As Fuck," with a taut groove and loping gait tailor made for a 21st century honky tonk. Cauthen, Bedford and Burt play with that template throughout COUNTRY COMING DOWN, punctuating "Caught Me At a Good Time" with a sharp guitar solo, "High Heels" with a tasteful Wurlitzer break and the satiristic "Country Clubbin'" with a disco beat and chorus of female backing vocals.
His muse fully engaged, Cauthen is looking towards doing more of that in the future, with a few conceptual ideas up his sleeve about what he might do next. No matter what direction he takes, however, he won’t be abandoning that cabin in the hills or the "Country Clubbin'" life; Cauthen will just be adding more to the mix he's stirred together.
"It's just about looking at yourself in the mirror and knowing that what you've done to this day has been in good standing, with good morals and a good compass in life, driven the right way," he says. "Legacy is all we have -- that, and try to be a good person as well. If you get all that together, then you can do whatever the fuck you want and it'll be alright."
Like only the most gifted storytellers, Matisyahu spins the rare kind of stories that simultaneously enlighten and enthral and expand the audience’s sense of possibility. On his eponymous new album, the Grammy Award-nominated singer/songwriter/rapper shares his most autobiographical work to date, merging that personal revelation with a shapeshifting collision of reggae and hip-hop and boldly inventive pop. Produced by Salt Cathedral (a Brooklyn-based duo comprised of Colombian musicians Juliana Ronderos and Nicolas Losada), the result is an undeniably transformative album, one that invites both intense introspection and unbridled celebration.
CD: $124.98 Buy
Celebrating the 50th anniversary of the Mothers Of Invention’s ‘71 line-ups, the complete Fillmore tapes are showcased with every note played over 4 shows, including the John Lennon/Yoko Ono encore, majority of tracks are newly mixed. Additionally, the full concert from the Rainbow Theatre in London where FZ was infamously pushed off the stage is newly mixed by Eddie Kramer. The box also features a bonus hybrid concert from Harrisburg & Scranton, PA 1971 and extensive liner notes & packaging.
Also Available Live at Rainbow Theatre [3LP], Live At Fillmore East, June 1971: 50th Anniversary [3LP]
March 2022, rock icons KISS will release the next installment of their Off The Soundboard official live bootleg series with KISS - Off The Soundboard: Live In Virginia Beach, recorded live at the Virginia Beach Amphitheatre on July 25, 2004.
Off The Soundboard: Live In Virginia Beach finds the legendary band in the midst of their `Rock The Nation' Tour, which is notable for being the first full U.S. tour of the longstanding Paul Stanley, Gene Simmons, Tommy Thayer, and Eric Singer lineup. The career-spanning 20-song set includes classic KISS tracks such as "Lick It Up," "I Love It Loud," and the worldwide smash and No. 11 1979 U.S. Billboard charting "I Was Made For Lovin' You," as well as perennial KISS fan favorites "Makin' Love," "King Of The Night Time World," and "100,000 Years" that dig deep into the band's astonishing 40+ year back catalog.
KISS are globally recognized as one of the greatest live bands of all time and are the creators of what is universally considered the best live album ever, 1975's gold-certified and No. 9 Billboard charting Alive!. The KISS - Off The Soundboard series continues their storied legacy of groundbreaking live albums with a document of the spectacular, larger-than-life extravaganza that is a KISS concert.