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A year before his pinnacle opus, Orpheus and Eurydice, Gluck was already largely renewing another musical genre, the ballet, by adapting in 1761 a play by Molière for the Viennese public: Don Juan. Another ballet, Sémiramis, would follow the next year, these two works innovate in that they offer a coherent narration where all the resources of the orchestra are put at the service of expressiveness. Jordi Savall and the Concert des Nations restore all the colors and remind us that a quarter of a century before that of Mozart, another outstanding personality haunted the stages of Europe with all the evocative power of which music is capable.
A year before his pinnacle opus, Orpheus and Eurydice, Gluck was already largely renewing another musical genre, the ballet, by adapting in 1761 a play by Molière for the Viennese public: Don Juan. Another ballet, Sémiramis, would follow the next year, these two works innovate in that they offer a coherent narration where all the resources of the orchestra are put at the service of expressiveness. Jordi Savall and the Concert des Nations restore all the colors and remind us that a quarter of a century before that of Mozart, another outstanding personality haunted the stages of Europe with all the evocative power of which music is capable.
8435408099493

Details

Format: CD
Label: ALIA VOX
Rel. Date: 07/29/2022
UPC: 8435408099493

Gluck: Don Juan & Semiramis
Artist: Le Concert Des Nations
Format: CD
New: Available $34.98
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Formats and Editions

DISC: 1

1. Gluck: Don Juan Ou Le Festin de Pierre - Andante Grazioso
2. Gluck: Don Juan Ou Le Festin de Pierre - Andante
3. Gluck: Don Juan Ou Le Festin de Pierre - Allegro Maestoso
4. Gluck: Don Juan Ou Le Festin de Pierre - Allegro Furioso - Adagio
5. Gluck: Don Juan Ou Le Festin de Pierre - Allegro Forte Risoluto - Andante - Allegretto
6. Gluck: Don Juan Ou Le Festin de Pierre - Risoluto Moderato
7. Gluck: Don Juan Ou Le Festin de Pierre - Gavotte
8. Gluck: Don Juan Ou Le Festin de Pierre - Brillante
9. Gluck: Don Juan Ou Le Festin de Pierre - Allegretto
10. Gluck: Don Juan Ou Le Festin de Pierre - Moderato
11. Gluck: Don Juan Ou Le Festin de Pierre - Giusto
12. Gluck: Don Juan Ou Le Festin de Pierre - Allegro - Presto
13. Gluck: Don Juan Ou Le Festin de Pierre - Andante Grazioso
14. Gluck: Don Juan Ou Le Festin de Pierre - Andante
15. Gluck: Don Juan Ou Le Festin de Pierre - Presto
16. Gluck: Don Juan Ou Le Festin de Pierre - Allegretto - Presto - Andante Gluck: Don Juan Ou Le Festin de Pierre - Andante
17. Gluck: Don Juan Ou Le Festin de Pierre - Allegro Giusto
18. Gluck: Don Juan Ou Le Festin de Pierre - Moderato
19. Gluck: Don Juan Ou Le Festin de Pierre - Andante
20. Gluck: Don Juan Ou Le Festin de Pierre - Grazioso
21. Gluck: Don Juan Ou Le Festin de Pierre - Allegretto
22. Gluck: Don Juan Ou Le Festin de Pierre - Moderato - Presto
23. Gluck: Don Juan Ou Le Festin de Pierre - Risoluto E Moderato
24. Gluck: Don Juan Ou Le Festin de Pierre - Allegro - Allegro Giusto
25. Gluck: Don Juan Ou Le Festin de Pierre - Andante Staccato
26. Gluck: Don Juan Ou Le Festin de Pierre - Allegro
27. Gluck: Don Juan Ou Le Festin de Pierre - Allegretto
28. Gluck: Don Juan Ou Le Festin de Pierre - Andante Staccato
29. Gluck: Don Juan Ou Le Festin de Pierre - Larghetto
30. Gluck: Don Juan Ou Le Festin de Pierre - Allegro Non Troppo
31. Gluck: Semiramis - Andante
32. Gluck: Semiramis -Allegro
33. Gluck: Semiramis -Moderato
34. Gluck: Semiramis -Moderato - Grazioso
35. Gluck: Semiramis -Moderato
36. Gluck: Semiramis -Maestoso
37. Gluck: Semiramis -Grazioso
38. Gluck: Semiramis -Maestoso - Presto
39. Gluck: Semiramis -Affettuoso
40. Gluck: Semiramis -Affettuoso
41. Gluck: Semiramis -Adagio - Più Adagio
42. Gluck: Semiramis -Affettuoso
43. Gluck: Semiramis -Adagio
44. Gluck: Semiramis -Allegro Maestoso
45. Gluck: Semiramis -Adagio - Allegro - Tempo Primo
46. Gluck: Semiramis -Allegro Assai

More Info:

A year before his pinnacle opus, Orpheus and Eurydice, Gluck was already largely renewing another musical genre, the ballet, by adapting in 1761 a play by Molière for the Viennese public: Don Juan. Another ballet, Sémiramis, would follow the next year, these two works innovate in that they offer a coherent narration where all the resources of the orchestra are put at the service of expressiveness. Jordi Savall and the Concert des Nations restore all the colors and remind us that a quarter of a century before that of Mozart, another outstanding personality haunted the stages of Europe with all the evocative power of which music is capable.
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